This commodification of qawwali, though, is not an exclusively diaspora phenomenon. The demand for these performances coupled with the costs associated with bringing the performers to North America means that organisers are able to price tickets with relative freedom. The Aga Khan Museum in the same city hosted Fareed Ayaz and Abu Muhammad Qawwal within two weeks of opening its doors to the public in September 2014. In Toronto alone, for example, Rahat Fateh Ali Khan has become a regular attraction for the members of Pakistani and Indian diaspora. She, however, would not be the first or the last of the many globally recognisable performers to sing qawwali for an audience that pays significant sums of money to listen to them. A portion of her performance, by popular request, would be devoted to the singing of qawwalis. Afzal Sabri Qawwal performing at Junagadh House, Karachi | Arif Mahmood, White StarĪbida Parveen was scheduled to perform in front of a crowd in Toronto in May 2016.
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